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  • This design's complexity features a profusion of distinct, ornately figured, and closely connected shapes. Pattern density emerges from the artist's selection of a "tile" from a source image, in this case, a rectangular segment cut from a failed effort to assemble a hexagonal medallion. Image aspect ratio = 7 x 15 (14" x 30" @ 300 dpi)
    lancifolia profusion.jpg
  • Intricately figured hexagons, decorated by the spots on Calathea lancifolia leaves and accented with red points, fill this square image's four quadrants. Image aspect ratio = 1 x 1 (18" x 18" @ 300 dpi)
    lancifolia T8.jpg
  • From the artist's Botanical Mosaics series entitled "Tillandsia Tessellations": This image's matrix combines triangular and square geometries in the creation and tessellation of "tile" derived from her original "Tillandsia Specimen" photograph. Image aspect ratio: 1 x 1 (36" x 36" @ 300 dpi)
    tillandsia-perfection of four.jpg
  • Seven intricately figured diamond shapes, decorated by the spots on Calathea lancifolia leaves, fill the image's center, this bordered by 10 ornate half-diamonds giving the appearance of scalloped edges to the design. Image aspect ratio = 14 x 9 (28" x 18" @ 300 dpi)
    lancifolia T11-7 diamonds panel.jpg
  • In Hinduism, the six-pointed star--comprised of two, "up" and "down" pointing triangles--is named Shatkona, and it signifies the union of male and female. This digital mosaic emulates the Moroccan zellige tradition of assembling complex geometric patterns from individual, hand-cut ceramic tiles: the artist assembled this hexagonal design by mirroring copies of a digital "tile" cut from her original photograph of American bittersweet vine's entwined branches and colorful autumn berries.
    bittersweet Shatkona mandala.jpg
  • Digital wallpaper features a repeating pattern of hues and shapes associated with the spotted, multicolor leaves of the Calathea lancifolia plant. Illusory movement in the pattern cascades down steps from top left to bottom right of the image. Image aspect ratio = 16 x 9 (20" x 11.25" @ 300 dpi
    lancifolia cascade.jpg
  • This design's intricate green details come from the dark spots on leaves of the tropical Calathea lancifolia plant; red accents in the pattern correlate with the coloring of youngest leaves in the artist's original plant-specimen photograph. The triangular digital "tile" used to assemble this mosaic was cut from another digital "wallpaper" in the artist's "Lancifolia" series, entitled "Lancifolia Cascade. The vertically oriented panel displays clusters of four octagons surrounding central medallions. The image aspect ratio of 4 x 9 (16" x 36" @ 300 dpi) allows the overall symmetry of mirroring the top and bottom halves of the design.
    lancifolia 8 octagons panel.jpg
  • Waves of intricately figured shell shapes, decorated by the spots on Calathea lancifolia leaves, radiate from the image's central pillar, itself adorned by an ornate, green medallion. Image aspect ratio = 12 x 9 (24" x 18" @ 300 dpi)
    lancifolia T11-standing waves green ...jpg
  • From the artist's Botanical Mosaics series entitled "Tillandsia Tessellations": This image's matrix combines triangular and square geometries in the creation and tessellation of "tile" derived from her original "Tillandsia Specimen" photograph. Image aspect ratio: 1 x 1 (36" x 36" @ 300 dpi)
    tillandsia-quadrate and florian cros...jpg
  • From the artist's Botanical Mosaics series entitled "Tillandsia Tessellations": This image's matrix combines triangular and square geometries in the creation and tessellation of "tile" derived from her original "Tillandsia Specimen" photograph. Image aspect ratio: 1 x 2 (18" x 36" @ 300 dpi)
    tillandsia-5 unique medallions.jpg
  • Waves of intricately figured shell shapes, decorated by the spots on Calathea lancifolia leaves, radiate from the image's central pillar, itself adorned by two ornate green medallions joined by a red-accented green "X."  Image aspect ratio = 12 x 9 (24" x 18" @ 300 dpi)
    lancifolia T11-standing waves red X ...jpg
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CWP: Transforming Nature into Digital Art, by Jennifer Nelson

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