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  • From the artist's Botanical Mosaics series entitled "Tillandsia Tessellations": This image's matrix combines triangular and square geometries in the creation and tessellation of "tile" derived from her original "Tillandsia Specimen" photograph. Image aspect ratio: 1 x 1 (36" x 36" @ 300 dpi)
    tillandsia-perfection of four.jpg
  • Featuring an ornate botanical pattern of leaves and branches, this tesselated digital mosaic has been assembled from 16 iterations of a square "tile" cut from a larger digital photograph manzanita bushes growing in a forest on the eastern slopes of California's Sierra Nevada mountain range.
    manzanita-final matrix.jpg
  • Featuring an ornate botanical pattern of leaves and branches, this tesselated digital mosaic has been assembled from 16 iterations of a square "tile" cut from a larger digital photograph of manzanita bushes growing in a forest on the eastern slopes of California's Sierra Nevada mountain range. This image, in contrast with its companions in the "Manzanita" series, displays the primary pattern that its "digital 'seed' tile" created with simple horizontal and vertical mirroring across a canvas. When a first matrix displays visual complexity, as this one does, that produces pleasing instances of pareidolia--optical illusions of faces, creatures, and other meaningful shapes--I play with color, shape, and line matches along offset edges of paired and clustered tiles edges to find alternate mosaic designs.
    manzanita-first matrix.jpg
  • From the artist's Botanical Mosaics series entitled "Tillandsia Tessellations": This image's matrix combines triangular and square geometries in the creation and tessellation of "tile" derived from her original "Tillandsia Specimen" photograph. Image aspect ratio: 1 x 1 (36" x 36" @ 300 dpi)
    tillandsia-quadrate and florian cros...jpg
  • From the artist's Botanical Mosaics series entitled "Tillandsia Tessellations": This image's matrix combines triangular and square geometries in the creation and tessellation of "tile" derived from her original "Tillandsia Specimen" photograph. Image aspect ratio: 1 x 2 (18" x 36" @ 300 dpi)
    tillandsia-5 unique medallions.jpg
  • Deciduous bittersweet vines lose their leaves in late autumn to reveal small, vividly colored berries in yellow, orange and red. This mosaic originated as a rectangular selection from a digital photograph of bittersweet growing alongside the Chesapeake & Delaware Canal (USA); the segment was chosen for its textural interest in combining berry clusters with tangled vines. Simple horizontal and vertical mirroring of this digital "tile" produced this mosaic's elaborate pattern.
    bittersweet arabesque.jpg
  • This design's intricate green details come from the dark spots on leaves of the tropical Calathea lancifolia plant; red accents in the pattern correlate with the coloring of youngest leaves in the artist's original plant-specimen photograph. The triangular digital "tile" used to assemble this mosaic was cut from another digital "wallpaper" in the artist's "Lancifolia" series, entitled "Lancifolia Cascade. The vertically oriented panel displays clusters of four octagons surrounding central medallions. The image aspect ratio of 4 x 9 (16" x 36" @ 300 dpi) allows the overall symmetry of mirroring the top and bottom halves of the design.
    lancifolia 8 octagons panel.jpg
  • From the artist's "American Bittersweet" series, this 2nd-generation surface design emerged from repeating and mirroring a digital "tile" cut and copied from a previously completed "Bittersweet" matrix. Trellis filligree and circular motifs still depend on the bittersweet vine's curling, twisting branch and twig structure and berry ornamentation that create the optical illusions of lacy texture and geometric shape. Converting the image to black-and-white prior to tinting it minimized the berries' visual impact and shifted aesthetic attention to the woven vines. Image aspect ratio = 7 x 10 (28"x40" @ 300 dp)i
    bittersweet chocolate trellis.jpg
  • From the artist's "American Bittersweet" series, this digital mosaic preserves the natural colors of autumn-ripening bittersweet berries clustered on leafless, entwined vines as its diagonal geometric pattern repeats and mirrors a triangular "tile" cut from her original specimen photograph. Image aspect ratio = 1 x 1 (48" x 48" @ 300 dpi)
    bittersweet X-O square.jpg
  • From the artist's "American Bittersweet" series, this tesselated digital mosaic suggests, when viewed at distance, a tartan plaid surface design in turquoise, brown, and gold hues. Closer study reveals dense fields of bittersweet berries, color-shifted from their natural state to resemble turquoise and lapis beads worked into intricate geometric patterns accented with gold-toned bittersweet vines.
    bittersweet beaded plaid.jpg
  • In Hinduism, the six-pointed star--comprised of two, "up" and "down" pointing triangles--is named Shatkona, and it signifies the union of male and female. This digital mosaic emulates the Moroccan zellige tradition of assembling complex geometric patterns from individual, hand-cut ceramic tiles: the artist assembled this hexagonal design by mirroring copies of a digital "tile" cut from her original photograph of American bittersweet vine's entwined branches and colorful autumn berries.
    bittersweet Shatkona mandala.jpg
  • From the artist's "American Bittersweet" series, this surface design exploits the bittersweet vine's curling, twisting branch and twig structure to create a delicate filigree matrix. On this ornate trellis hang clusters of autumn berries shaped like bead-studded bows or brooches. Colors present in the original photograph of a specimen bittersweet vine were transformed into a palette of blues, pinks, and yellows. Image aspect ratio = 12 x 9 (24" x 18" @ 300 dpi)
    bittersweet denim lace bows.jpg
  • From the artist's "American Bittersweet" series, this surface design exploits the bittersweet vine's curling, twisting branch and twig structure to create an ornate filigree matrix studded with clusters of autumn berries. In nature, these red, orange, and yellow berries contrast starkly with the vine's gray-black bark; in this image, color editing produced turquoise and blue hues that transform berries into semi-precious stone beads and gild the vine's wiry tendrils with gold...as if Mother Nature were a fine jeweler ornamenting the earthly wilderness with her arts and crafts. Image aspect ratio = 2 x 3 (12" x 18" @ 300 dpi)
    bittersweet bejeweled.jpg
  • From the artist's "American Bittersweet" series, this surface design emerged from tessellating a hexagon, manually assembled by tessellating a triangular photo segment, and then cutting from that matrix a rectangular digital "tile" that would permit orderly mirroring to produce a 4-side matrix. The bittersweet vine's curling, twisting branch and twig structure and berry ornamentation create the crystaline outlines and laciness of this image's six-pointed snowflake patterns. Converting the image to black-and-white facilitated recoloring it to suggest snow's affinity for blue light. Image size = 27" x 31" @ 300 dpi
    bittersweet snowflakes.jpg
  • winter wonderland.jpg
  • From the artist's "American Bittersweet" series, this tesselated digital mosaic combines diamond, chevron, and medallion motifs and intricate filigree patterns, all emerging from repetition and mirroring of a digital "tile" cut from an original specimen photograph of American bittersweet vine festooned with dense clusters of berries. Image aspect ratio = 1 x 1 (48" x 48" @ 300 dpi)
    bittersweet radiating diamonds.jpg
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CWP: Transforming Nature into Digital Art, by Jennifer Nelson

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